Communal and Community-based Music Making in Democratic States.Post-industrial Musical Contestation: Disco, Punk, and Hip-hop.Folk Music, Rock Music, and Protest Songs.This is a contingent association, to be sure, but the absence of logical necessity does not diminish the powerful role music plays in our efforts to build a better world. 39, Ray Pratt observes that “No music alone can organize one’s ability to invest affectively in the world, one can note powerful contributions of music to temporary emotional states.” It is because of the way music feeds into our emotional lives and because of the sense of social well-being we get from sharing emotional states with others that music so frequently accompanies movements that build, and depend upon, solidarity. The paradigm for reciprocity of musical expression and commitment to social justice, on the other hand, is the political protest culture of the United States in the 1960s: the Civil Rights Movement and the anti-Vietnam War movement, in particular.
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Examples of music dropping out of the politics, rather than politics dropping out of the music, include cultural inattention to the role music has played in later social protests taking place under the banners of the Occupy movement and UK-Uncut, and to the crucial role that music played in the anti-apartheid movement in South Africa. Other moments in music and social justice appear in our social and historical narratives less as integration than as accidental convergences which we do not always notice or remember.
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The same is true of the interplay between the free jazz of the 1960s and the black-nationalist movement it helped to nurture. For instance, the tradition of the blues is widely recognized as a distinctively African-American contribution to music, but is not always recognized for its role helping to shape the political consciousness of African-American communities emerging from Reconstruction in the nineteenth century and migrating out of the American South in the twentieth century. Some of this integration of music and social justice has become so deeply embedded in the identity and culture frameworks of particular groups that it is understood today primarily as culturally constitutive. Although social justice is typically thought of as a political agenda, many justice movements have used music as a way of inviting and maintaining broad-based participation in their initiatives. Protests demanding social justice as the alternative to an unacceptable status quo have been mounted in response to war, political and social inequality, poverty, and other constraints on economic and development opportunities.